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9 steps to being an Editor’s Top Choice
Editors are, by nature, creatures of habit. And, the moment you, as an aspiring writer, have managed to make your mark on them, you are well on your way to becoming the first person an editor chooses each time there is an important assignment to be done. After being on both sides of the fence, i.e. as someone who contributes my work to other sites and someone who receives contributions for my own site, here are 9 qualities I’ve identified which are what most editors look for in any writer. They are:
1. An editor wants a writer who knows the medium in which the
editor works
When a website
caters for storytellers, there is no point in submitting an article
which gives a detailed account of the various gadgets in a brand new
Mercedes Benz. I kid you not for we did receive such a submission
when the focus of our entire website is storytelling. That said, had
the writer been a tad discerning he might have been successful in
his submission if he had chosen to write a story about these
gadgets. For instance, tell us a story about one of his customers
who used the new gadgets and something funny happened. So, the
lesson from this experience is to always know what a
prospective
magazine is all about before you submit your work to them. In this
day and age, most magazines have websites. Visit them and you’ll be
surprised as to how much information you can glean from a simple
website.
2. An editor wants a writer who understands the target audience
of her resource.
Let’s take the same example as above. What’s the point, I
ask you, of submitting a piece on the inner workings of a car to a
magazine that caters for work at home mothers or even home
decorating? It is imperative that you make yourself familiar with
not only the kind of readers the magazine targets, also the level of
knowledge that they have. This one aspect will make the difference
between a good story and a great story.
3. An editor
wants a writer who can meet deadlines
Nothing irks me more than a writer who says they’ll submit something
for me to use in the next edition of my newsletter and I wait for
it. And I wait and wait and wait. It comes about an hour before the
newsletter’s finalised and I have to restructure the whole
newsletter to fit this one piece in. I no longer accept this as a
deadline’s a deadline and though it has annoyed some of my regular
contributors, they’ve learnt to send things in on time. Either that
or they’ve just been eliminated from the list.
4. An editor wants a writer who can generate new ideas on
an old topic
There are only that many ideas that one can generate about
a specific topic. One of the ways I’ve found most useful to generate
a new slant to an old topic is to invert it. Take this very article,
for instance. Its sub-heading is 9 steps to help a Writer be the
first choice of any Editor. Now invert this and you can come up
with 9 ways to make sure an Editor forgets you as a writer.
There you have it, a new article just waiting to be written.
5. An editor wants a writer who may not have all the ideas
but is willing to go that extra mile to find out
When you send a query to an editor, sometimes he/she will pose
follow-up questions. You should, by right, have the answers to these
questions ready. However, if you don’t there is no harm in saying so
and adding that you will find out. The caveat to this is that you
must fulfill this second part and inform the editor as soon as
possible of your findings; because, if you do not do so, an editor
will certainly be less confident of your ability to write this piece
and forget you altogether.
6. An editor wants a writer who ‘sees where the final piece will
be’.
I know for a fact that when I tell make a suggestion of where the article I submit should appear on the editor’s website, it certainly enhances my chances of success. Likewise, when people submit to me and tell me in which column or on what page of the website they’d like to have their piece listed, I’m grateful. I do not need to waste precious time trying to figure out which part of my website they were trying to target.
7. An editor wants a writer who makes boring things sound
exciting
The ideal way to do this is always to inject humour in your
piece. It’s not difficult to do and if it can make an editor laugh,
he/she is going to remember you and your writing that much more.
8. An editor wants a writer who gives more that he/she promises
Without a doubt, those who contribute more than necessary are always
remembered. For example, when I’ve asked for a submission once a
week and I receive more than two, I’m remember that particular
writer more. Likewise, if you’ve been trusted with an assignment,
don’t wait until the final hour before the deadline to send it off,
especially your piece has been ready for two days. Just imagine the
disaster if the electricity went out or your internet connection
failed. You’d not meet the deadline and this will certainly leave a
bad impression on the editor.
9. An editor wants the writer to know that he/she’s human
Everybody makes mistakes and insulting an editor who has
made an honest mistake about the rejection of your piece will never
go down well. There’s nothing more to say about this point than
that.
The relationship between and editor and writer is one that is based on trust. Once it’s earned, there is no doubt that you as the writer will not only impress an editor, you’ll also land many a lucrative assignment.
Aneeta Sundararaj is the editor-in-chief of 'How To Tell A Great Story' (http://www.howtotellagreatstory.com ). She has written for many online and off-line resources and manages a popular ezine, ‘Great StoryTelling Network’. Find out more about the power of storytelling and how it can have an amazing impact on your life by visiting the site: http://www.howtotellagreatstory.com