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Review
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The Dancing Girls of Lahore
by Louise Brown
Hardcover: 320 pages
Publisher: Fourth Estate (July 5, 2005)
Language: English
ISBN: 0060740426
Product Dimensions: 9.3 x 6.3 x 1.1 inches
Louise Brown, an
academic who lives and teaches in Birmingham, has spent a great deal
of her adult life researching the sex trade in Asia. Before she
wrote her most recent book, "The Dancing Girls of Lahore", she
wrote, "Sex Slaves: The Trafficking of Women in Asia".
In order to study the dancing girls of Lahore, or the "nachne
wallis" as they are called, Louise rented a room in the red light
district of Heera Mandi in old Lahore so that she could observe the
subjects of her research from close quarters. Heera Mandi (Diamond
Market) was once the abode of the fabled courtesans of the Nawabs
(Princes) of Lahore. The women were respected for their art which
included being a master of Kathak, a very intricate dance, she also
spoke chaste Urdu (the language of the poets) and was able to sing
impeccable ghazals (songs in a classical or semi-classical
tradition).
After Independance in 1947, the Nawabs were stripped of their purses
giving way to a new class of Pakistani industrialists and
businessmen who became the dancers' new patrons. However, when in
the 1960's the military dictator Ayub Khan, while pursuing a policy
of stricter Islamization closed the district down, the women of
Heera Mandi had to go underground. Since the place was now declared
illegal, the nature of the clients changed. The elite stopped
visiting Heera Mandi and the current customers, poor or middle-class
men, now seek the girls out only for sexual favors. Not being
cultured they have no real interest in paying to see the women
dance. As if riding on the luck of their residents the havelis
(grand residences) in which the courtesans reside, have also
crumbled into tiny, dark, stinky, airless rooms.
Although the author describes the lives of many of the girls in
Heera Mandi the focus of her book is Maha and her five children.
Maha was born into a family of kanjars (prostitutes). When
she was only 12 years old she was taken to the United Arab Emirates
and was paid well for allowing one of the ruling Sheikhs to take her
virginity. After that, she returned to Lahore where she enjoyed the
patronage of some fairly rich Pakistani men. When Louise meets her
she has 5 children by three different men and her latest husband
already has another family and is a drug addict. Maha considers
herself lucky to have a legal marriage. Most of the women in Heena
Bazaar don't. However they call all their clients shohar
(husband) because being intimate with someone who is not your
husband is a criminal offence.
At 36 years, plump and not as pretty as she once was, Maha appears
to be a spent force, and much to Louise's concern, spends most of
her energy (when she is not overdosed on cough syrup) on grooming
her 12 and 14 year old daughters to take up the trade. She insists
they have no other way to survive. She is very concerned that if
they don't find another source of income she might wind up in Tibbi
Galli which is where older
tawaiifs (prostitutes) are forced to sell themselves for little
or nothing. Maha is lucky in that she has daughters. How ironic that
while elsewhere in the country the birth of a son is celebrated, in
Heera Mandi it is a daughter who is celebrated because in this
business it is she who becomes the sole bread winner.
I love Louise Brown's writing style. Although she is an academic
discussing her research, she doesn't have the dry style of a researcher
because she weaves into the study true conversations, wonderful
anecdotes and beautiful geographic descriptions. Best of all, each
chapter is subdivided into little chapters under headings like,
"Shadi-Wedding Ceremony", "The Shia and Sunni", "Black Magic" "Friday
Prayers", etc. which makes it easy to use as a reference book. Her
particular strength lies in being an astute observer of customs and
everything else she sees around her without being judgmental.
Readers might want to know how this book, which is one among hundreds of
books on prostitution and sex slavery, is different from the others.
What makes it special is that the people of Heena Bazaar, have descended
from true artists. These courtesans of old and ancestors of our current
Heera Mandi women, may not have gone to school but they were highly
accomplished in the art of dancing, singing and pleasing a man. Till
today there is a refinement in many of the women of Heera Bazaar that
one finds hard to locate elsewhere, also, the residents of Heena Bazaar
are tightly bound to Shia rituals and customs. Religion plays a very
important part in their lives. One of the finest parts of the book
involves descriptions of Ziyarat ( a religious ritual at Moharram) and
the
mattam ceremony , where 100's of young men flagellate themselves
with blades strung on metal chains to show sorrow at the killing of the
Shiite prophet, Imam Hussain from many centuries ago. The Sunni majority
in Pakistan look down upon such rituals as semibarbaric and these
ceremonies very often become sites of clashes between the Sunnis and
Shias.
In closing, Louise Brown ingratiates herself admirably with the women
and families in Heera Mandi. They trust her with their life stories and
their friendships. This is the main reason why this book is such a good
read.
About the Reviewer
Lotus Reads reviews books from different genres but, her emphasis is on World contemporary literature/fiction in general and South Asian contemporary fiction in particular. She tends to review with abandon - in other words, her reviews may contain spoilers, so if you're a spoilerphobe, consider yourself warned! Visit her blog, Lotus Reads, for more reviews:
http://lotusreads.blogspot.com
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