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Volume 3, Issue 10 - 4 October 2006
Brought to you by Aneeta Sundararaj
For the online version of this newsletter, click on this
link:
http://www.howtotellagreatstory.com/gsn/04102006.html
To subscribe to this newsletter, go to:
http://www.howtotellagreatstory.com/gsn/indextogsn.html
To unsubscribe, go to the end of this newsletter for
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CONTENTS
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From the Editor's Desk
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StoryAsia - The Piano Maker
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Storyteller's Nuts and Bolts - The Finer Points of Punctuation
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Jack's Fables - With Bear on our side
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Infosynthesis - There is no Limit to your Storytelling
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Blow Your Own Trumpet! - interview with Jenna Glatzer
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Articles For Storytellers - What An Editor Wants: 9 Steps to help a
Writer be the first choice of any Editor
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from the editor's desk ...
Dear [First Name],
The winner of a copy of An Exercise Manual for the Couch Potato, A
Joke Book by Steve Robertson is Diane Pollock. Diane, please contact
Steve at coachr@bellsouth.net
I have created a new blog - The Candid Storyteller - which I hope I can
sustain. I would love to know what you think of it. Here's the link:
http://howtotellagreatstory.blogspot.com/.
I've also added some new paying markets and blogs for storytellers. It
takes me time to add paying markets, especially because I have to read
the websites I list carefully before entering the information in. In
this, if you've had some experience with paying markets and know of a
site that should be included, please send me an email telling me of this
resource which I can then share with others. Send your emails to
editor@howtotellagreatstory.com.
There are new stories in Story Asia, Jack's Fables and also a new
piece from Kristy Taylor. We have an announcement under Tell Everyone
About from Bjorn Trumann whose second novel has been published. I've
updated the interview with him entitled,
A man
with diverse talents! - an interview with Bjorn Turmann.
Speaking of interviews, in this edition, I'm featuring an interview with
Jenna Glatzer, who's the editor-in-chief of Absolute Write. It's an
interesting interview and I hope you enjoy reading it.
The article featured in this newsletter,
What An Editor Wants: 9 steps to help a
Writer be the first choice of any Editor,
is one that you're free to reprint should
you manage your own e-zine/webiste. To facilitate this dissemination of
free stuff, I've created a page which lists the Free Content you can
use. Here's the link:
http://www.howtotellagreatstory.com/ezine/index.html. I've just
started this page, so there are very few pieces there. Please keep
coming back to it.
Although I've been happily posting the email to send your votes to
Writers Digest Top 101 Websites for Writers in previous editions, I did
not know that voting has just only started. Doesn't this just prove that
this is my first time entering such a contest? I did make an attempt
before, when the site was new, but did not follow through as I did not
have the confidence that the site was up to scratch. Anyway, this time
round, I'm pretty proud of what I've achieved and yes, I would
appreciate it very much if you could nominate How To Tell A Great Story
and this newsletter, Great Storytelling Network for the next listing.
You can send you emails to
writersdig@fwpubs.com inserting
'Vote How To Tell A Great Story and this newsletter, Great Storytelling
Network for
101 Best Websites' in the Subject.
You effort is very much appreciated. Thank you all for your continued
support and also for the lovely comments you've taken the trouble to
send.
Here's to your storytelling success.
Aneeta Sundararaj
editor@howtotellagreatstory.com
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VISIT OUR BLOG
Check
out "The Candid Internet Storyteller" blog with Aneeta Sundararaj at:
http://howtotellagreatstory.blogspot.com/
In this blog, Aneeta Sundararaj regularly shares methods,
techniques, tips and ideas to help you master storytelling and the art
of conversation
Go
to:
http://howtotellagreatstory.blogspot.com/
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INFOSYNTEHSIS
There is no Limit to the Power of Storytelling
There is no limit
to the power of storytelling. Many professionals think they can only use
to inform and entertain, and probably sell goods and services.
Do you know you
can use it to sell yourself? Yes, you say. I can do so in job
interviews. But the power of storytelling stretches more that. You can
use it to sell yourself in the marriage market. Whether you a suitor
looking for a wife, or a bride searching for a husband, storytelling
used as a marketing tool can really help you get the type of spouse you
desire and be happy in your in your marriage.
To read more,
please click here ...
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STORYASIA
The Piano Maker
In Goa, there was a man whose occupation
was to make pianos. He was a hardworking man and every day, he was doing
something or rather with a piano. He either assembled them, tuned them or
polished the wood. Without a doubt, all day long, various sounds could be heard
coming from his shop.
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Jack's Fables
With Bear on
our side.
In the ancient wood,
deep in the rural idyll of God’s chosen county, Crazy the badger came out and
declared to the world:
“The fox cubs
across the stream are not innocent. According to
Badger law, during a time of battle and war, there is no such thing as
'innocence' among the enemy.”
To read more,
please click here ...
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Storytelling Nuts and Bolts
The Finer Points of Punctuation
Perhaps the best way to illustrate
the importance and effect of proper punctuation is to
imagine reading a piece of writing without it. Supposing
you were to read this entire article – all 900 words of
it – with absolutely no punctuation. Not just the
obvious periods and commas, but no colons, dashes,
exclamation marks or question marks.
To read more,
please
click here ...
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PROMPTS TO TELL YOUR GREAT STORY
...
Choose some physical feature about you. For example, take your nose.
Now write a funny tale with your nose as a focus - it could be
anything from the smells you encounter as you enter your favourite
restaurant or how you spent the day in bed one when you had an
awfully runny nose several weeks ago.
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BLOW YOUR OWN TRUMPET!!
Many Steps Closer - an interview with
Jenna Glatzer
Excerpts ...
Aneeta: There was a
debate recently amongst the local bloggers about rejection. Most agreed
that it was not what was rejected or the fact of rejection itself. It
was how the person and his work were rejected that was important. Now,
I’d like to ask you, do you think there’s a correct way for a writer to
reject an author’s work?
Jenna: (I assume you
meant “editor”?) You know, I’m a very sensitive person in general, but
rejection just has never hit me the way it hits a lot of writers. I’ve never
really taken it personally. Sure, there are some editors who reject work
rather coldly (I’ve had some e-mails that have just said things like, “Not
interested” or “I don’t think it’s funny,” and one query letter that was
returned by mail with just a big red “R” written across it—which I assume
stood for “reject,” though I’ll never be sure!). Still, I don’t take that as
any reflection on me or my work. I just take it as a sign that editors are
busy and they’re not all concerned about coddling writers. That’s okay.
To read more,
please
click here ...
If you'd like to be interviewed for this column, please
contact me at
editor howtotellagreatstory.com
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ARTICLES FOR STORYTELLERS
What An Editor Wants: 9 steps to help a Writer be the first choice of
any Editor
Editors are,
by nature, creatures of habit. And, the moment you, as an aspiring
writer, have managed to make your mark on them, you are well on your
way to becoming the first person an editor chooses each time there
is an important assignment to be done. After being on both sides of
the fence, i.e. as someone who contributes my work to other sites
and someone who receives contributions for my own site, here are 9
qualities I’ve identified which are what most editors look for in
any writer. They are:
1. An editor wants a writer who knows the medium in which the
editor works
When a website
caters for storytellers, there is no point in submitting an article
which gives a detailed account of the various gadgets in a brand new
Mercedes Benz. I kid you not for we did receive such a submission
when the focus of our entire website is storytelling. That said, had
the writer been a tad discerning he might have been successful in
his submission if he had chosen to write a story about these
gadgets. For instance, tell us a story about one of his customers
who used the new gadgets and something funny happened. So, the
lesson from this experience is to always know what a
prospective
magazine is all about before you submit your work to them. In this
day and age, most magazines have websites. Visit them and you’ll be
surprised as to how much information you can glean from a simple
website.
2. An editor wants a writer who understands the target audience
of her resource.
Let’s take the same example as above. What’s the point, I
ask you, of submitting a piece on the inner workings of a car to a
magazine that caters for work at home mothers or even home
decorating? It is imperative that you make yourself familiar with
not only the kind of readers the magazine targets, also the level of
knowledge that they have. This one aspect will make the difference
between a good story and a great story.
3. An editor
wants a writer who can meet deadlines
Nothing irks me more than a writer who says they’ll submit something
for me to use in the next edition of my newsletter and I wait for
it. And I wait and wait and wait. It comes about an hour before the
newsletter’s finalised and I have to restructure the whole
newsletter to fit this one piece in. I no longer accept this as a
deadline’s a deadline and though it has annoyed some of my regular
contributors, they’ve learnt to send things in on time. Either that
or they’ve just been eliminated from the list.
4. An editor wants a writer who can generate new ideas on
an old topic
There are only that many ideas that one can generate about
a specific topic. One of the ways I’ve found most useful to generate
a new slant to an old topic is to invert it. Take this very article,
for instance. Its sub-heading is 9 steps to help a Writer be the
first choice of any Editor. Now invert this and you can come up
with 9 ways to make sure an Editor forgets you as a writer.
There you have it, a new article just waiting to be written.
5. An editor wants a writer who may not have all the ideas
but is willing to go that extra mile to find out
When you send a query to an editor, sometimes he/she will pose
follow-up questions. You should, by right, have the answers to these
questions ready. However, if you don’t there is no harm in saying so
and adding that you will find out. The caveat to this is that you
must fulfill this second part and inform the editor as soon as
possible of your findings; because, if you do not do so, an editor
will certainly be less confident of your ability to write this piece
and forget you altogether.
6. An editor wants a writer who ‘sees where the final piece will
be’.
I know for a fact that when I tell make a suggestion of
where the article I submit should appear on the editor’s website, it
certainly enhances my chances of success. Likewise, when people
submit to me and tell me in which column or on what page of the
website they’d like to have their piece listed, I’m grateful. I do
not need to waste precious time trying to figure out which part of
my website they were trying to target.
7. An editor wants a writer who makes boring things sound
exciting
The ideal way to do this is always to inject humour in your
piece. It’s not difficult to do and if it can make an editor laugh,
he/she is going to remember you and your writing that much more.
8. An editor wants a writer who gives more that he/she promises
Without a doubt, those who contribute more than necessary are always
remembered. For example, when I’ve asked for a submission once a
week and I receive more than two, I’m remember that particular
writer more. Likewise, if you’ve been trusted with an assignment,
don’t wait until the final hour before the deadline to send it off,
especially your piece has been ready for two days. Just imagine the
disaster if the electricity went out or your internet connection
failed. You’d not meet the deadline and this will certainly leave a
bad impression on the editor.
9. An editor wants the writer to know that he/she’s human
Everybody makes mistakes and insulting an editor who has
made an honest mistake about the rejection of your piece will never
go down well. There’s nothing more to say about this point than
that.
The relationship between and editor and writer is one that is based
on trust. Once it’s earned, there is no doubt that you as the writer
will not only impress an editor, you’ll also land many a lucrative
assignment.
Aneeta Sundararaj is the
editor-in-chief of 'How To Tell A Great Story' (http://www.howtotellagreatstory.com
). She has written for many online and off-line resources and
manages a popular ezine, ‘Great StoryTelling Network’. Find out more
about the power of storytelling and how it can have an amazing
impact on your life by visiting the site:
http://www.howtotellagreatstory.com
This article may be freely
reprinted as long as the bio is included.s
If you would like to submit your own article on storytelling,
please click here...
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1000 Reviews
The Dancing Girls of Lahore by Louise Brown
Excerpts ...
...
In order to study the dancing girls of Lahore, or the "nachne wallis" as
they are called, Louise rented a room in the red light district of Heera
Mandi in old Lahore so that she could observe the subjects of her
research from close quarters. Heera Mandi (Diamond Market) was once the
abode of the fabled courtesans of the Nawabs (Princes) of Lahore. The
women were respected for their art which included being a master of
Kathak, a very intricate dance, she also spoke chaste Urdu (the language
of the poets) and was able to sing impeccable ghazals (songs in a
classical or semi-classical tradition).
To read more, please
click here
If you would like to submit your own article on storytelling,
please click here...
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RESOURCES FOR STORYTELLERS...
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FREE CONTENT FOR YOUR WEB SITE OR E-ZINE
Need
some fresh, free content for your web site or e-zine?
Visit the following webpage and you'll
see links to articles you can reprint for free.
We
simply ask that you let us know where the article will be appearing, and
include our byline.
http://www.howtotellagreatstory.com/ezine/index.html
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WEBPAGES FOR STORYTELLERS
Merlyn Swan:
http://www.howtotellagreatstory.com/webpages/merlynswan.html
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D.Devika Bai
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TELL EVERYONE ABOUT ...
The Karaoke
World of Cortous Haire
- the second novel by Bjorn Turmann
One man’s adventure tale that is comic, tragic, outrageous and
heart-warming, The Karaoke
World of Cortous Haire (Konstrukt Books) stretches
from Singapore at the time of the turbulent ’97 Asian economic
crisis to Thailand and Laos at the uncertainty of the new
millennium.
Possessing no job and very little money, university graduate
Cortous Haire lands in Singapore in early 1997 and finds
employment as a karaoke video marketing executive with a local
firm. When his boss suggests that they need to “find a star and
make her big in Laos”, Cortous’s story becomes a series of
experiences and obsessions, mysteries and calamities that
eventually lead him to deeper inquiries about life and how to
live it.
The world’s first novel about karaoke or a karaoke novel about
the world’s firsts? With originality and purpose,
The Karaoke World of Cortous
Haire calls out to all generations who have left home
in order to seek something that, at the time, they never thought
they’d ever find.
For more information visit:
www.cortoushaire.com
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