Volume 3, Issue 10 - 4 October 2006

Brought to you by Aneeta Sundararaj

 

For the online version of this newsletter, click on this link:

http://www.howtotellagreatstory.com/gsn/04102006.html

To subscribe to this newsletter, go to:

http://www.howtotellagreatstory.com/gsn/indextogsn.html 

To unsubscribe, go to the end of this newsletter for details.


CONTENTS

  • From the Editor's Desk

  • StoryAsia - The Piano Maker

  • Storyteller's Nuts and Bolts - The Finer Points of Punctuation

  • Jack's Fables - With Bear on our side

  • Infosynthesis - There is no Limit to your Storytelling

  • Blow Your Own Trumpet! - interview with Jenna Glatzer

  • Articles For Storytellers - What An Editor Wants: 9 Steps to help a Writer be the first choice of any Editor

from the editor's desk ...

 

Dear [First Name],

 

The winner of a copy of An Exercise Manual for the Couch Potato, A Joke Book by Steve Robertson is Diane Pollock. Diane, please contact Steve at coachr@bellsouth.net

 

I have created a new blog - The Candid Storyteller - which I hope I can sustain. I would love to know what you think of it. Here's the link: http://howtotellagreatstory.blogspot.com/.

 

I've also added some new paying markets and blogs for storytellers. It takes me time to add paying markets, especially because I have to read the websites I list carefully before entering the information in. In this, if you've had some experience with paying markets and know of a site that should be included, please send me an email telling me of this resource which I can then share with others. Send your emails to editor@howtotellagreatstory.com.

 

There are new stories in Story Asia, Jack's Fables and also a new piece from Kristy Taylor. We have an announcement under Tell Everyone About from Bjorn Trumann whose second novel has been published. I've updated the interview with him entitled, A man with diverse talents! - an interview with Bjorn Turmann. Speaking of interviews, in this edition, I'm featuring an interview with Jenna Glatzer, who's the editor-in-chief of Absolute Write. It's an interesting interview and I hope you enjoy reading it.

 

The article featured in this newsletter, What An Editor Wants: 9 steps to help a Writer be the first choice of any Editor, is one that you're free to reprint should you manage your own e-zine/webiste. To facilitate this dissemination of free stuff, I've created a page which lists the Free Content you can use. Here's the link:

http://www.howtotellagreatstory.com/ezine/index.html. I've just started this page, so there are very few pieces there. Please keep coming back to it.

 

Although I've been happily posting the email to send your votes to Writers Digest Top 101 Websites for Writers in previous editions, I did not know that voting has just only started. Doesn't this just prove that this is my first time entering such a contest? I did make an attempt before, when the site was new, but did not follow through as I did not have the confidence that the site was up to scratch. Anyway, this time round, I'm pretty proud of what I've achieved and yes, I would appreciate it very much if you could nominate How To Tell A Great Story and this newsletter, Great Storytelling Network for the next listing.

 

You can send you emails to writersdig@fwpubs.com inserting 'Vote How To Tell A Great Story and this newsletter, Great Storytelling Network for 101 Best Websites' in the Subject. 
 

You effort is very much appreciated. Thank you all for your continued support and also for the lovely comments you've taken the trouble to send. 

 

Here's to your storytelling success.

 

Aneeta Sundararaj

editor@howtotellagreatstory.com

VISIT OUR BLOG

 

Check out "The Candid Internet Storyteller" blog with Aneeta Sundararaj at: http://howtotellagreatstory.blogspot.com/

 

In this blog, Aneeta Sundararaj regularly shares methods, techniques, tips and ideas to help you master storytelling and the art of conversation

 

Go to: http://howtotellagreatstory.blogspot.com/

 

INFOSYNTEHSIS

 

There is no Limit to the Power of Storytelling

 

There is no limit to the power of storytelling. Many professionals think they can only use to inform and entertain, and probably sell goods and services.

 

Do you know you can use it to sell yourself? Yes, you say. I can do so in job interviews. But the power of storytelling stretches more that. You can use it to sell yourself in the marriage market. Whether you a suitor looking for a wife, or a bride searching for a husband, storytelling used as a marketing tool can really help you get the type of spouse you desire and be happy in your in your marriage.

 

To read more, please click here ...

 

STORYASIA

The Piano Maker

In Goa, there was a man whose occupation was to make pianos. He was a hardworking man and every day, he was doing something or rather with a piano. He either assembled them, tuned them or polished the wood. Without a doubt, all day long, various sounds could be heard coming from his shop.

 

To read more, please click here ...

 

Jack's Fables

 

With Bear on our side.

 

In the ancient wood, deep in the rural idyll of God’s chosen county, Crazy the badger came out and declared to the world:

 

“The fox cubs across the stream are not innocent. According to Badger law, during a time of battle and war, there is no such thing as 'innocence' among the enemy.”

 

To read more, please click here ...

 

Storytelling Nuts and Bolts

 

The Finer Points of Punctuation

    Perhaps the best way to illustrate the importance and effect of proper punctuation is to imagine reading a piece of writing without it. Supposing you were to read this entire article – all 900 words of it – with absolutely no punctuation. Not just the obvious periods and commas, but no colons, dashes, exclamation marks or question marks.

 

To read more, please click here ...

 

PROMPTS TO TELL YOUR GREAT STORY ...

 

Choose some physical feature about you. For example, take your nose. Now write a funny tale with your nose as a focus - it could be anything from the smells you encounter as you enter your favourite restaurant or how you spent the day in bed one when you had an awfully runny nose several weeks ago.

   

BLOW YOUR OWN TRUMPET!!

 

Many Steps Closer - an interview with Jenna Glatzer

 

Excerpts ...

 

Aneeta: There was a debate recently amongst the local bloggers about rejection. Most agreed that it was not what was rejected or the fact of rejection itself. It was how the person and his work were rejected that was important. Now, I’d like to ask you, do you think there’s a correct way for a writer to reject an author’s work?

 

Jenna: (I assume you meant “editor”?) You know, I’m a very sensitive person in general, but rejection just has never hit me the way it hits a lot of writers. I’ve never really taken it personally. Sure, there are some editors who reject work rather coldly (I’ve had some e-mails that have just said things like, “Not interested” or “I don’t think it’s funny,” and one query letter that was returned by mail with just a big red “R” written across it—which I assume stood for “reject,” though I’ll never be sure!). Still, I don’t take that as any reflection on me or my work. I just take it as a sign that editors are busy and they’re not all concerned about coddling writers. That’s okay.

 

To read more, please click here ...

 


If you'd like to be interviewed for this column, please contact me at

editorhowtotellagreatstory.com  

 

ARTICLES FOR STORYTELLERS

 

What An Editor Wants: 9 steps to help a Writer be the first choice of any Editor

 

Editors are, by nature, creatures of habit. And, the moment you, as an aspiring writer, have managed to make your mark on them, you are well on your way to becoming the first person an editor chooses each time there is an important assignment to be done. After being on both sides of the fence, i.e. as someone who contributes my work to other sites and someone who receives contributions for my own site, here are 9 qualities I’ve identified which are what most editors look for in any writer. They are:


1. An editor wants a writer who knows the medium in which the editor works
 

When a website caters for storytellers, there is no point in submitting an article which gives a detailed account of the various gadgets in a brand new Mercedes Benz. I kid you not for we did receive such a submission when the focus of our entire website is storytelling. That said, had the writer been a tad discerning he might have been successful in his submission if he had chosen to write a story about these gadgets. For instance, tell us a story about one of his customers who used the new gadgets and something funny happened. So, the lesson from this experience is to always know what a prospective magazine is all about before you submit your work to them. In this day and age, most magazines have websites. Visit them and you’ll be surprised as to how much information you can glean from a simple website.

2. An editor wants a writer who understands the target audience of her resource.

 

Let’s take the same example as above. What’s the point, I ask you, of submitting a piece on the inner workings of a car to a magazine that caters for work at home mothers or even home decorating? It is imperative that you make yourself familiar with not only the kind of readers the magazine targets, also the level of knowledge that they have. This one aspect will make the difference between a good story and a great story.
 

3. An editor wants a writer who can meet deadlines

Nothing irks me more than a writer who says they’ll submit something for me to use in the next edition of my newsletter and I wait for it. And I wait and wait and wait. It comes about an hour before the newsletter’s finalised and I have to restructure the whole newsletter to fit this one piece in. I no longer accept this as a deadline’s a deadline and though it has annoyed some of my regular contributors, they’ve learnt to send things in on time. Either that or they’ve just been eliminated from the list.

 

4. An editor wants a writer who can generate new ideas on an old topic

There are only that many ideas that one can generate about a specific topic. One of the ways I’ve found most useful to generate a new slant to an old topic is to invert it. Take this very article, for instance. Its sub-heading is 9 steps to help a Writer be the first choice of any Editor. Now invert this and you can come up with 9 ways to make sure an Editor forgets you as a writer. There you have it, a new article just waiting to be written.

 

5. An editor wants a writer who may not have all the ideas but is willing to go that extra mile to find out

When you send a query to an editor, sometimes he/she will pose follow-up questions. You should, by right, have the answers to these questions ready. However, if you don’t there is no harm in saying so and adding that you will find out. The caveat to this is that you must fulfill this second part and inform the editor as soon as possible of your findings; because, if you do not do so, an editor will certainly be less confident of your ability to write this piece and forget you altogether.


6. An editor wants a writer who ‘sees where the final piece will be’.
 

I know for a fact that when I tell make a suggestion of where the article I submit should appear on the editor’s website, it certainly enhances my chances of success. Likewise, when people submit to me and tell me in which column or on what page of the website they’d like to have their piece listed, I’m grateful. I do not need to waste precious time trying to figure out which part of my website they were trying to target.


7. An editor wants a writer who makes boring things sound exciting


The ideal way to do this is always to inject humour in your piece. It’s not difficult to do and if it can make an editor laugh, he/she is going to remember you and your writing that much more.


8. An editor wants a writer who gives more that he/she promises

 
Without a doubt, those who contribute more than necessary are always remembered. For example, when I’ve asked for a submission once a week and I receive more than two, I’m remember that particular writer more. Likewise, if you’ve been trusted with an assignment, don’t wait until the final hour before the deadline to send it off, especially your piece has been ready for two days. Just imagine the disaster if the electricity went out or your internet connection failed. You’d not meet the deadline and this will certainly leave a bad impression on the editor.


9. An editor wants the writer to know that he/she’s human

Everybody makes mistakes and insulting an editor who has made an honest mistake about the rejection of your piece will never go down well. There’s nothing more to say about this point than that. 

 

 

The relationship between and editor and writer is one that is based on trust. Once it’s earned, there is no doubt that you as the writer will not only impress an editor, you’ll also land many a lucrative assignment.

 

Aneeta Sundararaj is the editor-in-chief of 'How To Tell A Great Story' (http://www.howtotellagreatstory.com ). She has written for many online and off-line resources and manages a popular ezine, ‘Great StoryTelling Network’. Find out more about the power of storytelling and how it can have an amazing impact on your life by visiting the site: http://www.howtotellagreatstory.com


This article may be freely reprinted as long as the bio is included.s

 

If you would like to submit your own article on storytelling, please click here...

 

1000 Reviews

 

The Dancing Girls of Lahore by Louise Brown
 

Excerpts ...


... In order to study the dancing girls of Lahore, or the "nachne wallis" as they are called, Louise rented a room in the red light district of Heera Mandi in old Lahore so that she could observe the subjects of her research from close quarters. Heera Mandi (Diamond Market) was once the abode of the fabled courtesans of the Nawabs (Princes) of Lahore. The women were respected for their art which included being a master of Kathak, a very intricate dance, she also spoke chaste Urdu (the language of the poets) and was able to sing impeccable ghazals (songs in a classical or semi-classical tradition).
 

To read more, please click here

 


 

If you would like to submit your own article on storytelling, please click here...

 

RESOURCES FOR STORYTELLERS...

FREE CONTENT FOR YOUR WEB SITE OR E-ZINE

 

Need some fresh, free content for your web site or e-zine?

 

Visit the following webpage and you'll see links to articles you can reprint for free. We simply ask that you let us know where the article will be appearing, and include our byline.

http://www.howtotellagreatstory.com/ezine/index.html

 

WEBPAGES FOR STORYTELLERS

 

Merlyn Swan: http://www.howtotellagreatstory.com/webpages/merlynswan.html

 

SHOW US YOUR SUPPORT ...

 

There are many ways in which you can support this site and keep this free newsletter going. For instance:

 

1. If you would like to send us your feedback, you can fill in the webform at http://www.howtotellagreatstory.com/survey.html

2. Please nominate us for 'The 101 Best Websites For Writers' competition by sending an email to writersdig@fwpubs.com with "101 Best Web sites" as the subject.

3. Support the Great StoryTelling Network by casting a vote on the following page:

http://www.ezinefinder.com/vote.html?pub_code=gresto

4. Send us your monetary contribution to us. A big thank you to our most recent supporters:

D.Devika Bai


For more information on how you can support us, please click on the following link:

http://www.howtotellagreatstory.com/support.html

TELL EVERYONE ABOUT ...

 

The Karaoke World of Cortous Haire - the second novel by Bjorn Turmann

 

One man’s adventure tale that is comic, tragic, outrageous and heart-warming, The Karaoke World of Cortous Haire (Konstrukt Books) stretches from Singapore at the time of the turbulent ’97 Asian economic crisis to Thailand and Laos at the uncertainty of the new millennium.

 

            Possessing no job and very little money, university graduate Cortous Haire lands in Singapore in early 1997 and finds employment as a karaoke video marketing executive with a local firm. When his boss suggests that they need to “find a star and make her big in Laos”, Cortous’s story becomes a series of experiences and obsessions, mysteries and calamities that eventually lead him to deeper inquiries about life and how to live it.

 

            The world’s first novel about karaoke or a karaoke novel about the world’s firsts? With originality and purpose, The Karaoke World of Cortous Haire calls out to all generations who have left home in order to seek something that, at the time, they never thought they’d ever find.

For more information visit: www.cortoushaire.com

 

This newsletter is sponsored by

 

Do people hold back their yawns every time you speak?

Find out how to avoid this at

http://www.howtotellagreatstory.com

 

YOUR TEXT ADVERTISEMENT COULD APPEAR HERE!

$20 for 1 issue

 

Subscriber Base: Over 2600+ with many joining each week.

Traffic: We receive over 400+ visitors and 1000+ page views a day.

 

Click on the link below to place your ad or to find out about all our other advertising options.
http://www.howtotellagreastory.com/adrates.html

HOW TO CONTACT US

 

You are receiving this email because you have either subscribed to the Great StoryTelling Network newsletter or you have invested in How To Tell A Great Story.

 

We hope that you have enjoyed reading this issue of Great StoryTelling Network!

 

The information we have on file is:

Your name: [First Name] [Last Name]

Your email address: [Email]

 

To unsubscribe, please send a blank email to unsubscribe@howtotellagreatstory.com

  

If you prefer to unsubscribe by post/fax please send your request to

How To Tell A Great Story

c/o Sensations Pro Sdn Bhd

P O Box 1123 Jalan Pantai Bharu

59700 Kuala Lumpur

Malaysia

Tel: + 60 3 7960 7048 

Fax: + 60 3 7960 7049

 

All rights reserved. © www.howtotellagreastory.com

Note: The Great Storytelling Network, How To Tell A Great Story and Sensations Pro Sdn Bhd will not be held liable for any direct or indirect losses or damages originating from the use of any information listed on our website or in our newsletter. By using this site and newsletter you agree to indemnify and hold all owners and representative parties of the Great Storytelling Network/How To Tell A Great Story/Sensations Pro Sdn Bhd harmless from any claim or demand originating out of your use of this website. Use of our website and newsletters is an indication of your complete understanding and acceptance of these Terms of Service. Thank you.